Tag Archives: bladesmith

Filipino Knife Maker On Bohol Island In The Philippines

During a recent trip to the Philippines, we visited the island of Bohol. We happened to drive through the village of Loay and saw a shop by the road with an enormous number of blades of all sizes and shapes for sale so we stopped.

If you click here, the Google listing will appear in a new tab.

This was the “Bulaklak Blacksmith” shop and at J233+QFH, in Loay. The maker was busy at a grinder and I can only assume it was his wife showing us his wares. Bohol has a booming tourist industry with beautiful beaches and I am sure this stand was trying to capitalize on this. We were visiting at the beginning of September which is when the tourist season is drawing to a close.

He had produced a huge number of machetes and various knifes of all shapes and sizes. We also saw various types of implements such as steel rake heads, steel poles with heavy cutting heads and more.

What struck me was his shop. There he was with very basic equipment – a forge, anvil, hand tools, a stick welder, grinder, and so forth cranking out his wares.

If you are ever on the island of Bohol, the store and shop make for an interesting stop.

With his finished wares outside facing the road, he was inside cranking out the work. He was grinding the whole time I was there. Note it was 83F with a ton of humidity and there he is on a dirt floor getting work done. Also note the truck leaf springs. The knife makers of Nepal, known as kamis, also get leaf springs to make knives – the alloy works great for them. You can see the poles with cutters on the end – I can guess they are for digging holes or some kind of clearing activity. On the table are various machetes in the works.
Here’s a better view of the work in process and his furry helper who woke up just long enough to look at me and then went back to sleep. The machetes I saw were averaging about 3-4mm in thickness.
This was maybe a fourth of the knives he had done and ready for sale. Handles were either wood or hollow buffalo horn. The scabbards are of a died wood. The ferrule on the handles is actually a tightly braided twine. Noote the steel rake heads.
Here are some large general purppose knives. The handles are all hollow water buffalo horn.
Not only was he prolific but there were all kinds of styles from small hunting knives to machetes to swords. Traditional Filipino styles as well as Nepalese kukris and Japanese natas.
The majority of the knife blades were of a “villager” style without a lot of finishing and polishing work. By the way, I am very fond of villager-style blades as they really have character. In some cases, such as the sword and blades in the top center, he could turn out more refined work.

I didn’t think to ask if he sells any blades for locals. I would have really liked to see them. However, we had a schedule to keep as we were going on to see the Tarsiers and Chocolate Hills so we had to get going.

If you have ever wanted to visit and very affordable tropical resort, we stayed at the Bellevue Resort and it was beatiful. Great staff, facility and food.

This was the view from our balcony. You can see one wing of the hotel portion on the left and the thatched roof is the restaurant.
Looking back at the restaurant and our wing of the hotel. Again, great place to stay.

If you find yourself in Bohol, check out the Bulaklak blacksmith’s shop and if you are looking for a resort, check out the Bellevue. By the way, we were visiting family and I don’t have a habit of jetsetting 🙂

I hope this helps you out.


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How to get what you want from epoxy – for me it is long life, shock resistance and strength

Folks, I work a lot with epoxy and reply on it as a structural adhesive to both fill gaps and bond parts together.  I’ve done everything from fixing car parts, wood furniture, tools, rifle bedding, scope mount bedding, custom knife handles and much more with epoxy.  It is incredibly versatile but you need to do some planning to really get what you want out of it predictably.

In case you didn’t know it, “epoxy” is a general term for a wide range of cured polyepoxide resins glues with different physical characteristics such as how long they cure, strength, temperature resistance and so forth (click here if you want to learn more about the chemistry).   There are a ton of options out there as quality manufacturers experiment with different resin and hardener formulations.  In short, not all epoxies are the same and for people concerned with the quality of what they are building, they need to think things through.  For quite some time I’ve wanted to write down a series of tips for folks to get strong reliable results so here they are:

Buy a quality brand epoxy to begin with

What I have found over the years is that not all epoxies are created equal so spend the money and buy quality epoxy.  There can be a huge difference in how well the epoxy will last over time and/or how strong it really is.  Do not buy the bargain basement junk.  In general, if the maker lists all the physical properties then it is a well thought out and executed formula.  I have three epoxies that I use the most in order are Brownell’s AcraGlas liquid (not the gel), Locite E-120HP, JB KwikWeld and ITW Devcon Plastic Steel.  Once in a while if I need a fast cure epoxy, I will get a retail blister pack of some five minute epoxy and I’ll explain more in a moment.

Strongly consider what your application is

Epoxy comes in many formulations.  They can vary the chemistry of the resin, the hardener and the filler to behave differently.  Consider the following example characteristics:

  • Liquid, Gel/Paste or Putty/Bar — The liquid can seep into pores and fibers plus it can be spread but it can run into places you do not want.  Gels and pastes tend to stay put better but do not seep in as well.  The really thick puttys and bars are great for filling space or creating an impromptu clamp or to seal a hole but they definite don’t sink in much.
  • Temperature – you need to think both about the temperature when you are mixing and applying the epoxy as some will not set up at all if too cold.  You also need to think about the heat when in operation because many epoxies soften and lose their bond the hotter they get.   For example, you may apply epoxy to an exhaust manifold but it will blow off when it gets hot.
  • Pot life – this is how long you can still apply it before it starts to thicken.  Some folks will refer to this as working time.  You need to mix the two parts together, apply the epoxy, position and clamp the work before you run out of time.  Keep this in mind.
  • Cure time – this is how long until the epoxy reaches full strength
  • Color – you can get epoxies in different colors
  • Ratio / mixing – some are by volume or by weight.  The easy consumer stuff is usually 1:1 by volume but when you get into the more sophisticated epoxies the volumes vary or a digital scale is needed
  • Heat resistance – some epoxies resist heat better than others before they soften and “let go”
  • Shock resistance – some formulations hold up better than others before they start the break apart and “sugar”.  Sugaring refers to the powdery look epoxy gets as it breaks apart.  Brownell’s AcraGlas, Loctite E-120HP, JB KwikWeld and ITW Devcon Plastic Steel have all held up very well for me under shocks.  My go-to epoxy for most work is Acra-Glas liquid because it holds up so very well.
  • Others – there are other factors that may matter to you but the important thing is to think through your application

Go with as long of a curing time as you can for maximum strength

What many people do not know is that the faster an epoxy cures, the weaker it is.  Conversely, the longer the formulation takes to cure, the stronger it is.  All things being equal, a 24 hour curing epoxy will be stronger than 90-second, 5-minute, 30-minute and so forth epoxies.  Now there is a time and a place where speed is needed and also situations where strength is paramount.  When I make khukuri hands and other things where strength is critical, I always use a 24 hour epoxy.

Use the Proper Ratios

Be sure to carefully follow the mixing ratios.  For volume ratio work, I use 10cc or larger syringes without the needles on them to meter liquid resin and hardener.  For example, I like AcraGlas and it is 4 parts resin to 1 part hardener.  I keep two syringes separated that I re-use over and over.  With the syringe in the holding cup labeled “resin”, I use it to draw 4 cubic centimeters (CCs) of resin out and squirt it into a mixing cup.  With the hardener syringe, I meter out 1 CC of hardener into the cup.  Now you can vary that.  If you need a smaller about, meter out 2 CC of resin and 1/2CC of hardener.  The syringes really help.  If you are doing larger volumes then either use bigger syringes or disposable cups that have measurements printed on the side.  Also note how I pour from the bulk container into the smaller intermediary containers that are easy to work with plus I avoid contamination, dropping a big bottle, etc.

The Loctite E-120HP comes in a specialized dispenser tube that uses a gun and tip to do all the mixing.  It’s cool as can be for volume work where additional coloring or fillers are not needed.

For the Devcon Plastic Steel, I use my digital scale.

Here’s one thing not to do:  Some guys have heard that if they add more hardener it will cure faster.  This may be true but the resulting cured epoxy will be weaker.  Do not deviate from the manufacturer’s recommendations if you want the physical properties they report.

Mix thoroughly

Folks, I can’t stress this enough.   Mix the heck out of the two parts and combine them thoroughly.  If you are doing larger volumes, consider doing what is known as a double pour.  Pour the two parts into a first container, mix them thoroughly and then pour the combination into the middle of a second container and mix.  What a double pour does is avoid having unmixed materials that have stuck to the walls of the container come out when you are applying the epoxy.  Keep your pot life / working time in mind.

Most of the time I am using a generic 5oz plastic cup and plastic knife to do the mixing.  I buy them by the hundreds for Ronin’s Grips and they are cheap regardless.  Do not use styrofoam.

Prepare the surface

Whatever you want to bond epoxy to had better be clean and free of oils, greases, waxes, release agents and so forth.  Second, the more abraded the surface the better.  If you abrasive blast a surface not only can you double the surface area being bonded together but the irregular surface creates many opportunities for the epoxy to get “under” material to create a better grip.  If you can’t blast then at least sand the surface with 80-100 grit sand paper.

So here are two rules to bear in mind when it comes to the surface:

  1. Clean, clean, clean and wear gloves to not contaminate the surface with oil from your skin
  2. Shiny is bad.  A polished smooth surface will not give you anywhere near the bonding strength that a blasted or abraded surface will.  I blast everything that I can – metals, micarta, plastic and even wood.  It makes a world of difference – seriously.

The following is a bakelite handle from an electric griddle of my parents’.  The unit works great and has sentimental value so I cleaned it, blasted it, cut a quick cross hatch pattern to give even more grip and then cleaned it again.  It set up like a rock and we used it all Memorial Day morning to cook hundreds and hundreds of pancakes with no problem.\

Heating Epoxy

Heat can help you two ways.  First, by warming epoxy it tends to flow better.  If you need to to soak into wood or other surfaces, consider using a heat gun to blow/chase the epoxy into the wood.  Do not burn the epoxy – just warm it up.  Second, in general, warming epoxy up tends to make it cure faster.  Now there are limits and you need to either experiment or talk to the vendor before doing anything too radical.  I will often use a halogen light or other heat source to warm the surface up to 80-100F.  In chemistry, there is a formula known as the Arrhenius Equation that notes that for each additional 10 degrees Celsius added, a reaction rate doubles (click here for more info on the equation).  My experience is that you want the heat to penetrate and warm all of the epoxy and not just the surface and you also do not want to burn the epoxy.  In general, I do not exceed 100F but that is just me.  I found something that works good enough and have just stayed there.

Also pay attention to the minimum temperature requirements for curing.  Some epoxies will not do anything at all at freezing.  Some take forever to cure at 50F.  It just depends.  When in doubt, use a lamp or something to gently heat the part.

Coloring Epoxy

What many folks do not know is that you can actually color epoxy.  I have found two approaches that work.  First, use powdered tempera paint.  You can stir in a bit of black powder to get black epoxy.  Now I did this starting out and have since moved to using epoxy dyes so I am added less powder to the mix because I want to save the volume for glass fillers which we will talk about next.

Fillers

You can modify the physical strength of epoxy by adding a substrate or fillers.  For example, fiberglass is matted glass fiber that bonded together with epoxy made for that purpose.  Folks working with carbon fibers are using epoxy for bonding that together.  I add 1/32″ milled glass fibers to my epoxies to get more strength.  If I want more of a paste, I add more glass fiber and if I want it to be more of a liquid, I use less.  The exact volume of glass fiber depends on what you are trying to do.  Some vendors will give you recommendations and others will not.

Clamping / Work holding

In general, you want to apply the epoxy and then clamp everything together really well and then let it sit.   You may choose to use traditional clamps, vacuum, etc.  Bear in mind two things:

1.  Be careful that you secure the material and that it can’t shift while curing.  I can’t tell you how many times I have checked stuff and found out it moved and had to change my approach.  Figure this out before you apply the glue in case you need to make something, change your approach, etc.  Check it regularly to make sure it hasn’t shifted regardless.  Every time I think something can’t move – it does.

2.  The epoxy will run out of what you are working on.  Decide how you are going to deal with it.  Wax paper can protect your tools and table.  You can scrape the epoxy off after it has partially cured.  You can wipe things down with acetone when partially cured.  Just think it through otherwise you are going to glue stuff together really well that you do not want bonded – trust me.  It is a real headache so plan for seepage/dripping and how you will deal with it.

Patience

This is something I have gotten better at over the years – wait the recommended amount of time.  If they say 24 hours then wait 24 hours.  If you have questions about using the part sooner then ask the manufacturer.  For example, you might be able to assemble something after 10 hours but not actually put it under strain for 24 hours.  Factor in the temperature.  The colder it is then the longer it will take.  Remember what I said about the heat from lamps above.

Safety

Yeah, I had to add this.  Follow all guidance from the vendors.  The resins aren’t too bad but some of the hardeners are nasty.  Wear rubber gloves, use eye protection, work in a well ventilated area and wear a real good dust mask when sanding.  I use N99 masks now for everything.

I hope you found this general epoxy guidance helpful!


If you find this post useful, please share the link on Facebook, with your friends, etc. Your support is much appreciated and if you have any feedback, please email me at in**@ro*********.com. Please note that for links to other websites, I may be paid via an affiliate program such as Avantlink, Impact, Amazon and eBay.